Carlos Rojas

Art Curator and Critic, ArteLatAm Ecuador

For Carlos Rojas, art is not merely an aesthetic object; it is a profound field of study, a vehicle for cultural critique, and a dynamic reflection of regional identity.

As an esteemed art curator, critic, and academic, Carlos has dedicated his career to decoding visual narratives, elevating the discourse around Latin American art, and bridging the gap between rigorous theory and public exhibition spaces.

His analytical and vision-driven approach is anchored in an exceptional academic background. He holds a Doctorate in Latin American Cultural Studies, a foundation that fuels his extensive research and long-standing role as a Professor of Aesthetics at both the University of Cuenca and the University of Azuay.

This deep intellectual grounding allows him to approach curatorial projects with unique philosophical depth, exploring how contemporary creation dialogues with history, society, and the human condition.

“For Carlos, the curatorial act is a form of active translation. True critique does not just evaluate art; it contextualizes it, sparking dialogues that challenge perspective and reshape cultural heritage.”

Carlos’s expertise and institutional impact have made him a central figure in the Andean and international art circuits. Notably, he is a distinguished member of AICA (International Association of Art Critics), Ecuador Section.

He has served as a national and international curator for multiple prestigious editions of the International Biennial of Cuenca, and has shaped major platforms across Ecuador, including the Mariano Aguilera National Hall in Quito and the July Hall in Guayaquil.

His international footprint includes curating four editions of the renowned Paris Salon for the French Alliance in Lima, Perú.

His commitment to critical discourse is further reflected in his prolific writing. A frequent collaborator for specialized cultural magazines like Anaconda and El Apuntador, he has authored numerous publications on art and aesthetics, most notably his influential three-volume work, Cannibal Aesthetics.

Today, he channels this rich academic and curatorial legacy into his role at ArteLatAm Ecuador, driving the organization’s mission forward with intellectual rigor, critical insight, and a passion for artistic excellence.